Welcome to Week Thirty-One of “Monday at the Movies.” With the summer blockbuster season officially
closed (I, The Cinema King, decree it – so let it be written, so let it be
done), and in the wake of Prometheus,
it’s time for that long-promised look at the “Alien Quadrilogy.”
Alien (1979) – Ridley
Scott has been mostly canonized for Alien,
and not without reason; more than thirty years later the film remains frighteningly
effective and gruesomely imaginative, even with the lights on (how wonderful
this film must have been in a full darkened theater!). The story, a hybrid of science fiction and
horror tropes, mutates frequently, much like its eponymous creature, so that
the audience never gets a comfortable handle on things; instead, we’re put on
edge at every twist and turn. The cast doesn’t
do Oscar-caliber work, but they too are pivotal in subverting expectation, particularly
Sigourney Weaver, in a star-making performance as the heroine Ripley, and Ian
Holm, in brilliant creepy form as the shady scientist Ash. As with Prometheus,
this is a film that functions as much on a visceral level as an
intellectual/aesthetic one, with a pervasive feeling of suspenseful dread over the
whole affair. Scott wisely knows how
much to show and how much to conceal, such that the creature might even be
behind your sofa (you’d best make sure it’s not). But unlike its prequel successor, Alien never aspires beyond its ability;
we don’t need to know why the crew of the Nostromo
is in space, nor do they have any goals but survival – nor, in this case, do
they need them. This is an insular and
claustrophobic film which feels as taut as its scope. Kudos especially to H.R. Giger, whose
sexualized designs pervade the film and give it an offbeat sensibility that quickly
and efficiently distances Alien from
those other spaceship movies while setting an aesthetic tone for the future of
the filmed future. Effective and
intelligent, Alien deserves its
status as a cultural icon.
That does it for this week’s edition of “Monday at the
Movies.” We’ll see you here next week!
Monday, August 20, 2012
Monday at the Movies - August 20, 2012
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1 comment:
The first time I saw this, I already knew about the chestburster, because I had seen Spaceballs as a child and it's such a well-known moment in pop culture. Even taking out the shock/surprise of that scene, the film is still scary and tense. Great movie. Not just great sci-fi, but also one of the best horror films ever made.
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