Welcome to another edition of “Monday at the Movies.”
James Bond aside, it’s been two months since
we reviewed a superhero film around these parts.
That lapse in judgment is just downright
villainous.
Unbreakable (2000)
– Before M. Night Shyamalan became a director of diminishing returns, he was a
clever auteur with a penchant for puzzle-box movies that didn’t admit to being
such until the final reel’s big revelations (we all know how
The Sixth Sense ends, yes?).
His second feature,
Unbreakable, is an unconventional superhero story, set in “the real
world” after David Dunn (Bruce Willis) miraculously survives a locomotive
catastrophe.
As he struggles to make
sense of his lack of injury, he’s contacted by Elijah Price (Samuel L.
Jackson), an art dealer who specializes in comic books; Elijah suspects David
is the world’s first superhero.
Unbreakable is a bit of a slow burn,
exceptionally broody as David wrestles with the “great responsibility” which we
know necessarily comes “with great power.”
But the quiet moments, which might challenge devotees of the cinematic
Marvel method, pay off by lending gravity to those moments when David
does
act, replete with knowing touches on the superhero genre’s mainstays (including
a clever approximation of a costume).
The
real standout, even for folks who love the Marvel Cinematic Universe, is
Jackson’s turn as Elijah, a positively electrifying performance that crackles
in his scenes with Willis.
Indeed, Jackson
is almost more the star of the film because his Elijah – dubbed “Mr. Glass”
because of a brittle bone disability – is a commanding performance, riveting as
only Jackson can deliver, even without the assist of a well-timed F-bomb.
So don’t go in looking for the twist-ending
approach from
The Sixth Sense.
What you get instead is a smart and engaging
revisionist superhero tale that begs for a sequel (which, alas, never came).
That does it for this week’s edition of “Monday at the Movies.” We’ll see you here next
week!
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