First up, let’s throw it back all the way to 2008 – eight years ago! – for Iron Man, the place it all began.
- This movie holds up.
I’m not one to only watch these movies once, so I’ve probably seen Iron Man the most of all twelve – and
not just by virtue of it being the oldest. But even though I find myself doing
most of the dialogue right along with the film, it doesn’t feel stale. Indeed,
it feels as if it’d work just as well if it came out today. It sets a wonderful
bar for the MCU, builds a world almost immediately, and initiates a delightful
brand of humor that never transgresses into Batman
and Robin territory.
- Robert Downey, Jr., is perfectly cast. Look, Iron Man doesn’t work without RDJ, and it’s safe to say that the entire MCU is built on the shoulders of this film. So it’s a good thing that RDJ is pitch-perfect as the swaggeringly confident Stark; the improvisational quality of the film gives it a fast pace that requires a gifted performer to keep up, and RDJ manages to navigate the fast-talking attitude along the character’s evolution into a comparatively more responsible hero. And it’s not a coincidence that the Tony Stark who appears in post-2008 Marvel Comics is essentially a printed version of RDJ – that’s character redefinition, the likes of which we hadn’t seen since “Heart of Ice.”
- The chemistry with Gwyneth Paltrow is underrated. It’s easy to forget that there’s anyone else in this film besides RDJ, but I want to give a special shout-out to Gwyneth Paltrow’s turn as Pepper Potts, Tony Stark’s doting assistant, walking conscience, and life support system. It’s somewhat criminal that Pepper won’t be in Civil War (at least, so far as we know), because it’s hard to imagine Tony having a crisis of conscience without Pepper’s presence. Aside from Paltrow’s wonderful presence as the counterpoint to RDJ’s frenetic energy, the romantic tension between the two doesn’t feel compulsory; instead, you feel from the opening that these two genuinely care for each other, and their endpoint – somewhere between playful banter and tender affection – feels earned by the film.
- That world-building,
son. Iron Man does this wonderful
thing where it’s perfectly fine as a standalone film. Director Jon Favreau
quickly builds a universe for the characters to inhabit, and if we never had an
MCU to follow we certainly wouldn’t have known this was a prelude to a much
larger franchise. There’s that opening sequence in the back of the Humvee (or,
as Tony calls it, “the Funvee”), memorable for its deft introduction of tone
while also establishing the climax of the first act. But at the same time, Iron Man lays all kinds of seeds for the
MCU to come, and we can go all the way to the very end of the film and its
iconic post-credits sequence (you are now free to imagine Samuel L. Jackson
turning up at the end of any movie saying, “You think you’re the only [insert
profession here] in the world?”).
- Phil! You know, I’d almost forgotten that Iron Man marks the debut of Agent Phil Coulson, ostensibly the most important original character imported into the comics since Harley Quinn appeared in Batman: The Animated Series. Clark Gregg just kills it with a strikingly nuanced performance (or maybe those are retrospective lenses I’m wearing) that suggests at first a timid pencil pusher before revealing himself to be something of a badass. Again, Coulson’s a great example of how the film carves out its own turf without feeling like it’s in deference to a larger narrative. Coulson would go on to headline his own show, Agents of S.H.I.E.L.D., but we always remember him as the guy who never got to debrief Tony Stark because (headcanon alert) he was too busy becoming Pepper’s bestie and stealing all our hearts in the process.
2 comments:
Man, this movie seems so much older than it is, and not just because it came out about a month before I finished high school. The world-building is there, certainly, but it's so understated and in the background that you only really notice it in hindsight (it was around the time of the first Thor and Captain America a few years later that the Marvel series went into its more obvious franchise-building mode). It feels a bit more like a standalone early or mid-aught comic book movie. In that respect, it's up there with the better ones like Batman Begins or Sam Raimi's Spiderman.
And remember when Tony Stark wasn't a pop culture name everyone knew like Peter Parker, Bruce Wayne, or Clark Kent? You can't overstate Downey's performance. The MCU began with the disadvantage of not being able to use their most popular characters (Spiderman and the X-Men). Now, thanks to Downey, Iron Man is easily the most popular character.
"I am Iron Man" is the best line of the film in so many ways, least of all the fact that RDJ and Tony Stark are inseparable.
Post a Comment