Having saved the galaxy once before, the Guardians have inflated their prices and their egos to match. In disparate plotlines that coalesce in surprising ways, Star-Lord (Chris Pratt) meets the omnipotent Ego (Kurt Russell), his long-lost father; Gamora (Zoe Saldana) takes up anew her feud with wicked sister Nebula (Karen Gillan); and Rocket and Baby Groot (voices of Bradley Cooper and Vin Diesel, respectively) find themselves caught up in a war between Yondu (Michael Rooker) and his mutinous band of Ravagers. And then there’s Drax (Dave Bautista), the metaphor-less marauder, who’s happy just to slice and dice as needed.
I’ve got a soft critique of the film, though it’s more a bit of a backhanded compliment, and it’s that the film is wearingly funny. And I don’t mean that Vol. 2 ever becomes unfunny, but around the second act I had this surprising and acute desire for the jokes to take a breather and get back to the character work that made the first film such a rousing success. Indeed, a more cynical moviegoer might lament that the film is undercut by the overabundance of jokes, gags, and giggles, and I certainly feel the balance tipped in favor of humor this go-around.
That is not to say, however, that there isn’t really compelling character work being done, although surprisingly it’s the supporting characters that really get developed over the core five. Ego has a pretty engaging story arc, and writer/director James Gunn was right to make the film less about the mystery of Star-Lord’s paternity and more about what he does with that knowledge. If you’d told me that Yondu was going to be the most interesting member of the cast this go-around, I’d have thought it had something to do with the size of his red fin, but Gunn and Rooker did the pleasantly unexpected and gave Yondu a plot arc that goes over the course of the film and also clarifies a few bits about his role as Star-Lord’s erstwhile stepfather.
It’s the main cast that doesn’t quite make the leap from A to B as they did in the first, discovering their capacity for working together and finding a kind of family. Star-Lord grows, sure, but how could he not, where Gamora’s arc mainly consists in convincing other characters of things; Rocket and Groot are the same lovable violent pair, a kind of Rocketcrantz and Grootenstern for the cosmos. It is – and this should come as no surprise – Groot who steals the film wholesale, from his opening performance of ELO’s “Mister Blue Sky” to the perpetual challenges he faces in expressing himself. These characters are, however, fun enough that it’s still a treat to spend two hours with this particular “bunch of a-holes.”
Gunn continues not to play ball with the Marvel Cinematic Universe, eschewing the usual batch of cameo appearances (though Stan Lee appears, naturally, in what might be a kind of game-changer). There’s nary an Infinity Stone in sight, yet as we dash apace toward Infinity War, there’s something refreshing about that; as much as I love the shared universe, there would have been something inorganic about seeing Iron Man or even Thor wander in. Lest we forget, though, Gunn maintains and exacerbates the central rule of Marvel Studios with not one but five post-credits sequences, which suggest that the shared universe will bend toward the cosmic, if only because there’s more nodded toward than can possibly be encompassed in a Vol. 3. And while I can’t say I’ve ever been a big fan of “Cosmic Marvel” – The Silver Surfer is about as far as I go, and Marvel Studios doesn’t own him (yet) – if Gunn is guiding the Guardians, I’m on board.
Guardians of the Galaxy, Vol. 2 is rated PG-13 for “sequences of sci-fi action and violence, language, and brief suggestive content.” Written and directed by James Gunn. Based on the Marvel Comics by Dan Abnett and Andy Lanning. Starring Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Michael Rooker, Karen Gillan, Pom Klementieff, and Kurt Russell.
1 comment:
I, too, enjoyed this as a fun time. Apparently, though, a lot of viewers (or at least film writers) are seeing a lot more in it than just a good time, whether it's Ego being a metaphor bigger things or finding the story's exploration of family dynamics to be deeper than they seem on the surface. Maybe it's a movie to watch a second time.
Also, I agree, one of the best Stan Lee cameos ever. It's starting to seem like a contest for the films to see how they can one-up each other. I, for one, love it.
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