Monday, May 24, 2010

Observe and Report (2009)

The problem is that it's just not funny.

Observe and Report is perhaps best known as "the other mall cop movie," since it was released in fairly close proximity to Paul Blart: Mall Cop, starring Kevin James. Observe and Report is the considerably darker of the two, with Seth Rogen starring as bipolar head of mall security Ronnie Barnhardt. Ronnie becomes determined to catch a prowling flasher after the pervert exposes himself to Ronnie's sort-of secret crush, make-up counter girl Brandi (Anna Faris). As Ronnie aspires to be a real police officer and apprehend the pervert, he crosses paths several times with Detective Harrison (Ray Liotta), who quickly becomes his nemesis.

I wanted to like this movie - honest, I did. I rented this one with the full intention of watching it with my father; after all, we've seen almost all of Seth Rogen's other movies together, but he scoffed at the idea and declined to watch it with me. He was the wiser of us. Observe and Report leaves a bad taste in your mouth like coffee that's been near a fish. The laughs are tragically sparse, nothing meriting the respect of any expression beyond a soft "hah." Aziz Ansari, rapidly becoming one of my favorites, appears for a small cameo, and he's funny as always, but the rest of the film just doesn't measure up to my comedic standards. The script is flimsy, comprised of equal parts scientific improbability and obvious filler.

Aside from the film being just plain not funny, each and every character is completely and utterly repulsive. Ronnie's not easy to watch, because his bipolar disorder makes his character uneven in an unmanageable kind of way; when he's up, it seems artificial, and when he's down we'd like to believe that's not the real Ronnie. His mother is a drunken mess, and his partner Dennis (Michael Pena) is irritating until we learn he's actually a bad person. Brandi is wholly repugnant, engaging in substance abuse, vomiting, and exploiting Ronnie whenever possible; kudos to Ms. Faris for creating such a wholly detestable character, but jeers to the filmmakers for suggesting that Ronnie's love for her is anything but pathetic. As for Harrison, I just feel immensely sorry that Ray Liotta's career has fallen so far; this is the same guy who was brilliant in Goodfellas?

The overall tone and spirit of the film is epitomized in several entirely unsubtle and brutally grotesque scenes that remind us how pathetic Observe and Report truly is. In one, a sex scene between Ronnie and Brandi blurs the line between consent and date rape. It's obvious the filmmakers are going for a cheap laugh, especially when there's a heavyhanded attempt at making the whole thing innocuous by revealing that Brandi's only asleep, but by then it's too late; any viewer with a modicum of decency has already turned away with a sneer of disgust. Later, when Brandi compliments Ronnie, he lashes out at her, shouting, "If anyone here wants a girl to have sex with you and then to [have sex with] your enemy, go to Brandi! Because she's the girl that does that." Rogen's delivery here gets a quick chuckle, but then we realize just how sad his situation is, and it's just not as funny anymore.

But the moment that sums up everything I hate about this movie is the treatment of Nell, a handicapped food court employee. In one unforgettably atrocious scene, Patton "Spence" Oswalt mercilessly teases Nell because her leg brace prevents her from functioning properly; this moment lasts far too long, it's uncomfortable, and it's a reminder of the mentality that governs the whole film. Nell declares herself a born-again Christian, vowing not to have sex before marriage, but Ronnie labels that "a promise I'm going to make her break." This is the man we're supposed to root for, a man who aims to corrupt the only thing innocent about this whole ugly picture? When the movie's not busy being unfunny, it's mean-spirited and sometimes downright corrupt. If Ronnie Barnhardt is the hero this world needs, stop the planet - I want to get off.
Observe and Report is rated R "for pervasive language, graphic nudity, drug use, sexual content and violence." The language is filled with F-bombs, the flasher is shown several times in fairly explicit detail, prescription pills and alcohol are repeatedly abused, and the film includes some exorbitant shots of gore exaggerated for effect.

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