Welcome to another edition of “Monday at the Movies.” This
week, a movie brutally snubbed at last night’s Oscars.
Prisoners (2013)
– I could fill this review with 250 adjectives – breathless, intense,
suffocating – but they all add up to one word.
Prisoners is fantastic, much
darker and more intricate than the torture porn promised by the film’s one-note
marketing.
Hugh Jackman and Terrence
Howard star as fathers whose daughters disappear one Thanksgiving; displeased
with the methods of Detective Loki (Jake Gyllenhaal), Jackman takes hostage a
mentally challenged man (Paul Dano) who he believes abducted the girls.
Prisoners,
though, is much more elaborate than that initial synopsis posits, weaving a
number of plot threads together in unexpected ways that are best experienced as
the film unfolds – especially because some of the most insignificant details
acquire astonishing relevance in the third act.
I’d never heard of director Denis Villeneuve before, but he’s certainly
on my watchlist now.
There are moments
in
Prisoners that recall the best
scenes in David Fincher’s
Zodiac,
moments of intense claustrophobia that have little to do with the actual set
design and much more to do with the sense that the plot is rapidly closing in
on itself, that events are spiraling beyond the control of the
protagonists.
(Jackman’s continual
reminders of how long the girls have been missing further add a real-world
tenseness to the proceedings.)
Though
all in the cast do fantastic work, including Maria Bello and Viola Davis as the
beleaguered mothers, a special tip of the hat goes to Paul Dano, who really deserved
a Supporting Actor nod.
As the disabled
Alex Jones, Dano masters the mental handicap without overplaying it and subtly
convinces us that something is quite wrong about Alex even if we don’t know exactly
what it is (and he keeps us guessing, too).
Disappointingly,
Prisoners
seemed to fall off the radar once it debuted in theaters – a real shame, since
it’s one of the most gripping films I’ve seen in recent memory.
That does it for this week’s edition of “Monday at the Movies.” We’ll see you here next
week, and don’t forget that this Friday is the Double-Oh-Seventh of the month
(and Roger Moore’s swan song as James Bond)!
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