Prisoners (2013) – I could fill this review with 250 adjectives – breathless, intense, suffocating – but they all add up to one word. Prisoners is fantastic, much darker and more intricate than the torture porn promised by the film’s one-note marketing. Hugh Jackman and Terrence Howard star as fathers whose daughters disappear one Thanksgiving; displeased with the methods of Detective Loki (Jake Gyllenhaal), Jackman takes hostage a mentally challenged man (Paul Dano) who he believes abducted the girls. Prisoners, though, is much more elaborate than that initial synopsis posits, weaving a number of plot threads together in unexpected ways that are best experienced as the film unfolds – especially because some of the most insignificant details acquire astonishing relevance in the third act. I’d never heard of director Denis Villeneuve before, but he’s certainly on my watchlist now. There are moments in Prisoners that recall the best scenes in David Fincher’s Zodiac, moments of intense claustrophobia that have little to do with the actual set design and much more to do with the sense that the plot is rapidly closing in on itself, that events are spiraling beyond the control of the protagonists. (Jackman’s continual reminders of how long the girls have been missing further add a real-world tenseness to the proceedings.) Though all in the cast do fantastic work, including Maria Bello and Viola Davis as the beleaguered mothers, a special tip of the hat goes to Paul Dano, who really deserved a Supporting Actor nod. As the disabled Alex Jones, Dano masters the mental handicap without overplaying it and subtly convinces us that something is quite wrong about Alex even if we don’t know exactly what it is (and he keeps us guessing, too). Disappointingly, Prisoners seemed to fall off the radar once it debuted in theaters – a real shame, since it’s one of the most gripping films I’ve seen in recent memory.
That does it for this week’s edition of “Monday at the Movies.” We’ll see you here next week, and don’t forget that this Friday is the Double-Oh-Seventh of the month (and Roger Moore’s swan song as James Bond)!
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