I don’t know if it’s possible to give a full review of Avengers: Infinity War without spoiling at least something (I’ll certainly try), but I do want to take a moment to applaud the “spoiler culture” of 2018, which has done a fairly remarkable job of not ruining the film. It’s a critic’s burden that a film this big carries with it the necessity of preserving at all costs the sanctity of narrative surprise; then again, I do have a sense that my main audience here will have already seen the film at least twice. Mum is, however, the word here; I can’t, for example, talk about my only major critique of the film because it’s a mammoth spoiler. Reserving a fuller take for later, I’ll say only that I think the absolute ending of the film doesn’t quite accomplish what it sets out to do, both for reasons that are extratextual and because the film doesn’t quite position the last character we see on screen as the film’s protagonist in a way that would make that figure’s journey the center of the film. (It does, however, stick the emotional landing, in an extraordinary way.)
What Avengers: Infinity War manages to accomplish very deftly – and very quickly, I’d say, within the first ten minutes – is establish the stakes of the film with remarkable precision and weight. For a film that assembles eighteen other films and umpteen million cast members, this is a film that feels amazing well-balanced, and it rises to the gravity of the occasion by presenting a story where it truly feels that anything can happen: not just that X favorite character will meet up with unlikely ally Y, but that any important character could die before this is all said and done, that this story will matter more than we might have been led to expect. At one point, Thor says something like, “It feels like it’s going to stick this time.” Despite all the fakeouts, both within this film and within the Marvel Cinematic Universe at large, Infinity War achieves what I call the “Indiana Jones in peril” moment, where – despite knowing that Indiana Jones won’t actually die – we gasp in shock as his car fritters near the edge of a canyon; only in Infinity War, that car might veer off the road and take a hero or two out with it.
As a film that is more a collision of stories than a singular narrative – Iron Man’s addiction to his technology, Captain America as a man out of time, Black Panther opening his kingdom to the world, etc. – the film very nearly buckles under the sheer weight of what it’s called upon to do. And yet the only characters who don’t get a fair shake are the ones who don’t appear at all; everyone else is placed in subplots that use them to their full range, bouncing them against unlikely but pitch-perfect foils. I wasn’t left wanting more of any one character; I was just left wanting more, period. In this way, Infinity War is almost a new ur-blockbuster, mashing together a decade’s worth of blockbusters to create a super-film that was, as early as Sunday morning, already the biggest opening of all time.
Infinity War is such a roaring success because it understands both its core audience and the audience who may not have caught all the preceding films. We don’t necessarily need to have seen Guardians of the Galaxy, Vol. 2, for example – though Star-Lord fills us in, just in case – because the film is much more invested in its characters than in their continuity. That’s the reason that each character’s arrival (and in at least one particularly electric case, a re-arrival) is such a crowdpleasing moment; regardless of where we left Captain America in Civil War, we’re just so glad to see him again because the Marvel folks have put the “care” back in “character.” From major players like Rocket Raccoon and Spider-Man to supporting cast like Wong and Okoye, Infinity War remembers why we love these characters and wisely keeps them to their strengths while nudging them out of their comfort zones. To review the performances in the film would require a scorecard – and maybe that’s a feature for another time, once the spoiler-warning reins have loosened – but suffice it to say that no one phones it in, treating each scene like just one more installment in their own films. Part of the electricity of the film, then, is the unforeseen chemistry between characters who might otherwise be poles apart (though, once more, it’d be terribly rotten to give all that away just yet), and on this count the filmmakers have continued to do the largely admirable work of the Marvel Cinematic Universe.
Aside from the popular appeal this film is likely to have, the ultimate “good time” popcorn flick, it represents the apotheosis of the very idea of the franchise – we now know that the largest film franchise can spawn the largest film of all time (dethroning The Force Awakens, which is really saying something in terms of hype), but what next? Avengers 4 seems poised to remind us one last time why we started down this journey back in 2008 and why we kept coming back for more, but it seems equally likely that it’ll set up the next ten years. If you don’t believe me, turn to the Marvel Zombie in your life after you see the post-credits sequence. The fullness of the universe is a major theme of this film, but the film is equally a reminder of the fullness of the Marvel Universe – and not just the Cinematic one. There’s always more, as the “_________ will return” credit acknowledges, and so too will the audience – return, that is, for the as-yet-untitled Avengers 4, for the two films (Ant-Man and the Wasp this year, and Captain Marvel the next) in the interim, for another viewing of Infinity War, and for whatever your personal favorite Marvel movie has been (for me, it’s still the masterful Winter Soldier). The Infinity Stones have been with us since the dawn of creation, and the success of Infinity War seems to promise that Marvel will be with us until the end of it.
Avengers: Infinity War is rated PG-13 for “intense sequences of sci-fi violence and action throughout, language and some crude references.” Directed by Anthony and Joe Russo. Written by Christopher Markus and Stephen McFeely. Based on the Marvel Comics by Stan Lee, Jack Kirby, and Jim Starlin. Starring Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Benedict Cumberbatch, Don Cheadle, Tom Holland, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Danai Gurira, Letitia Wright, Dave Bautista, Karen Gillen, Pom Klementieff, Zoe Saldana, with Josh Brolin, Bradley Cooper, Vin Diesel, and Chris Pratt.
1 comment:
I liked it a lot. It was a bit slow in the middle for a while (maybe it just seemed long because there were so many stories and characters to balance), but the final act was just about perfect. I LOVED Thanos as a character. You could do a whole long post about him as a villain, but it would be full of spoilers.
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