I had just come out of a screening of
La La Land (full review coming January 2) when I got the news that
Carrie Fisher had passed away at the age of 60. It was like a kick in the guts,
which unclenched when I realized it was the headline we’d been dreading for
days after reading she had taken ill.
There was never any doubt in my mind that we’d see her at
press junkets and red carpet events for the as-yet-untitled
Episode VIII, laughing about what had
happened with some wry morsel of self-deprecation and bracing honesty.
Moreover, she’d be back because we needed her to be, because
Star Wars seems unfathomable without our
Princess Leia; lest we forget, she’s on screen a full twenty minutes before the
ostensible hero Luke Skywalker. And honestly, after seeing the heist of the
Death Star plans in
Rogue One, it’s a
little impossible to watch the original
Star
Wars without thinking of Leia as the heir to Jyn Erso’s mantle; who’s the
real “new hope” here, the whiny farmboy whose chores stand in the way of his
power couplings, or the regal politician turned rebel icon who stares down
Darth Vader and lies to his face without breaking a sweat?
In a way,
La La Land
was a fitting bracer for the latest bit of bad news to come out of 2016. It’s a
film that’s very concerned with memory, particularly visual/cinematic memory, and
the ways that our filmic minds may be more powerful than reality, more
romantically potent, even above and against the objective truth of reality. For
most of us, all we have left of Carrie Fisher are her images, and as much of a
force (no pun intended) as she was in Hollywood, I suspect that for very many
of us she’ll always be Princess – or General – Leia. We might remember her as
the M16-toting fiancé of Jake Blues in
The
Blues Brothers, the flower-child group therapist from
Austin Powers, or as her own larger-than-life self as seen in
Wishful Drinking.
However, even Carrie Fisher embraced the role that some said
typecast her for life. “I got to be the only girl in an all-boy fantasy, and
it’s a great role for women,”
she told CBC in September. "She’s a very proactive
character and gets the job done. So if you’re going to get typecast as
something, that might as well be it for me.” To that end, with our filmic
memories waxing nostalgic, we present five definitive Princess Leia moments.
You might be expecting a Top 10 (and perhaps someday you’ll see it), but for
now the occasion demands something special, a little bit unique. So put on the
John Williams score and let’s remember the Princess as best we know how.
1. “Only you could be
so bold.”
I mentioned this moment at the top because it’s a hell of an
introduction to Leia, and it tells us everything we need to know about the
character. She’s fiercely loyal to her people (both those of Alderaan and those
of the Rebel Alliance), and she’s far from cowed by the looming presence of
Darth Vader, the scariest force of evil in the galaxy. But Leia, coded as
vulnerable by her height and her all-white gown, refuses to bow; instead, she
rips off one-liners of her own, later jeering at Grand Moff Tarkin’s “foul
stench,” and she refuses to break, even under literal torture.
2. “This is some
rescue!”
The second act of
Star
Wars revolves around the effort to rescue Leia from the bowels of the Death
Star, but it’s a beautiful treat that the rescue mission completely falls apart
until Leia takes charge. Luke, Han, and Chewbacca storm the prison block, but
it all goes awry, to which Leia’s reaction is the sly and often-quoted “Aren’t
you a little
short for a stormtrooper?”
She’s facing execution – Tarkin has said as much – but she refuses to be so
much as impressed. Then, as the prison break collapses into a firefight, it’s
Leia who rescues the rescue, sending them into the garbage chute and toward the
Millennium Falcon.
3. “I love you.” “I
know.”
Leia spends much of
The
Empire Strikes Back on the run, but she’s always in control of the
situation. She rightly assesses the moment to evacuate, she senses something is
wrong about the asteroid “cave” in which they land, and she detects Lando’s
misdeeds before Han has reason to doubt his old friend. But the one thing Leia
misses is her own emotional range; throughout the movie, she’s telling Han Solo
one thing while the audience realizes something else altogether – these two crazy
kids are in love. Finally, just before it’s too late, she opens up, and while
Han gets the iconic rebuttal, Leia flips the script in
Return of the Jedi. This time, she’s caught up. She knows.
4. Huttslayer.
I suspect a generation or two of
Star Wars fans remember this moment for a different reason
altogether. Carrie Fisher probably sent scores of moviegoers into puberty by
donning the metal bikini, but a princess has to have an extensive wardrobe,
right? What’s fascinating to me here is that it’s another way Leia flips the
script. She steadfastly refuses to be a damsel in distress – recall that it’s
all part of the plan – and her looks of disgust and occasional boredom prevent
her from serving as eye candy. As ever, Carrie Fisher had the perfect response
to the outfit: “Tell them that a giant slug captured me and forced me to wear
that stupid outfit, and then I killed him because I didn’t like it. And then I
took it off. Backstage.” The Expanded Universe materials have made much of
Leia’s reputation as “the Huttslayer” – apparently, it’s a big deal to strangle
a reptilian crime slug with the leash with which he would subjugate you. Now
that’s a royally badass moment.
5. “Same jacket.”
The original script for
The
Force Awakens called for us to see General Leia fairly early on and
throughout the first act of the film. Wisely, though, J.J. Abrams kept her in
reserve until we can see her through Han’s eyes for the first time. And boy,
does it pack a wallop when she arrives; it’s a moment that always leaves me a
little misty-eyed, but as ever Leia deflates the moment by skeptically
remarking of Han’s attire, “Same jacket.” Thirty years may have passed, but
she’s still the same Leia we left in 1983. The fact that she’s been promoted to
general tells us only that the rest of the galaxy has finally caught up with
her.
For now, she’s one with the Force, and the Force is with us.
We’ll see her again in
Episode VIII
next December, and the Expanded Universe guarantees Princess Leia will never be
too far away; she’s already appeared on
Rebels,
and she’s the star of the monthly Marvel comic
Star Wars (to say nothing of her own miniseries, penned by Mark
Waid). What’s your favorite Princess Leia moment? Sound off below.
1 comment:
The best scene is her and Han's first kiss when the Falcon is parked inside the asteroid slug. One of the best romantic screen moments in history, in my honest opinion.
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