Meet the Calendar Girl (Sela Ward), who debuts a new festive outfit every time she abducts a top Gotham citizen, leaving behind a torn page from a calendar. It’s Batgirl who pieces together the pattern – that Calendar Girl is Page Monroe, a model whose contracts ran out once she turned thirty. With Calendar Girl collecting the hostages she blames for her downfall, Batman and Batgirl have to guess her next move before the abductions become murders.
“Mean Seasons” is a quick one-and-done, a gender flip of a comics villain (Calendar Man) that ends up being lightly topical in the same vein as “Torch Song” a few weeks ago. Calendar Man began life as a sort of joke character, wearing an oversized calendar and theming his crimes around various holidays; over time, the character has gotten much more sinister, dropping the theatricality and becoming a contemplative Hannibal Lecter type (cf. The Long Halloween and the Arkham videogames). Calendar Girl, on the other hand, is less menacing and more mentally ill, believing herself to be disfigured by her age.
Calendar Girl is particularly relevant today of all days, considering that Jamie Lee Curtis just this weekend posted the biggest movie opening with a female lead over 55 with her Halloween reboot/sequel, an important (and belated) defiance of this episode’s position that the entertainment industries unfairly discriminate on the basis of age. It puts “Mean Seasons” in an odd dialogue, too, with “Baby-Doll” as an episode that covers a pretty obvious point about show business on a cartoon that has no real business exploring that particular topic, and it makes me wonder how Calendar Girl and Baby-Doll might have fared in a team-up (a Harley and Ivy for the red carpet crowd?). Sidebar: why might so many of the also-ran animated Bat-villains have fared better with Baby-Doll than on their own?
I say it’s odd terrain for this episode to tread because of the curious way it bends Batman himself to accommodate the plot. First, the episode establishes Batman as a casual misogynist – he observes passingly, “Pretty girl,” before Batgirl gives him a note-perfect clapback. In doing so, however, she opens the question of just how old Batman is supposed to be: “Don’t you mean woman? She was your age when she made that commercial, Bat Boy.” But if Monroe was forced out of the industry at thirty, she had to be younger in the commercial, which means Batman himself can’t be older than thirty. It’s a silly argument to begin to have – Grant Morrison has handwaved the question by saying Batman is (currently) 79 – but it’s a sign of the episode’s slipping engagement and needless focus that I had time to be distracted by this issue. Recall, however, that Batman is far from misogyny – he is, as we learned in “The Cat and the Claw,” “an equal opportunity crimefighter.”
But “Mean Seasons” does two things really well, one of which is to give Batgirl a pivotal scene as a detective. Where “The Ultimate Thrill” presupposed Batman’s detective skill as a matter of course, we get to see Batgirl do the hard work of trolling through the Bat-computer (speaking of whom, remember the good old days when Batman would spend long hours clicking through evidence?). It’s a neat wink to Barbara Gordon’s legacy as Oracle, DC’s hacker guru for most of my life (itself a fun update on her background as a library scientist), and it gives her something better to do than flirt with Bruce Wayne.
Finally, the other thing “Mean Seasons” has going for it is that it finds a way for a dinosaur to attack Batman and Batgirl (is Robin still on this show?). It’s an action setpiece that would probably be more at home over on Superman: The Animated Series, with the main villain stepping away from the plot in order to let this sequence play out, but there is something undeniably cool about seeing the two Bats take on a (robot) dinosaur and use their wits to defeat it. It’s not the sort of wild flight of fancy that the show should have indulged too frequently, but it’s a great primal treat for those of us who had a wide assortment in our own toyboxes.
Original Air Date: May 4, 1998
Writers: Rich Fogel and Hilary J. Bader
Director: Hiroyuki Aoyama
Villain: Calendar Girl (Sela Ward)
Next episode: “Critters,” in which we see if this really is the worst episode of the DCAU.
🦇For the full list of The New Batman Adventures reviews, click here.🦇
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